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| Lyrica - die Lyrik-Datenbank |
| Englische Lyrik seit 1066 |
| Titel | Gedicht | Vorname | Nachname | | La belle Dame sans merci | Ah, what can ail thee, wretched wight,
Alone and palely loitering;
The sedge is wither'd from the lake,
And no birds sing.
Ah, what can ail thee, wretched wight,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.
I see a lily on thy brow,
With anguish moist and fever dew;
And on thy cheek a fading rose
Fast withereth too.
I met a lady in the meads
Full beautiful, a faery's child;
Her hair was long, her foot was light,
And her eyes were wild.
I set her on my pacing steed,
And nothing else saw all day long;
For sideways would she lean, and sing
A faery's song.
I made a garland for her head,
And bracelets too, and fragrant zone;
She look'd at me as she did love,
And made sweet moan.
She found me roots of relish sweet,
And honey wild, and manna dew;
And sure in language strange she said,
I love thee true.
She took me to her elfin grot,
And there she gaz'd and sighed deep,
And there I shut her wild sad eyes--
So kiss'd to sleep.
And there we slumber'd on the moss,
And there I dream'd, ah woe betide,
The latest dream I ever dream'd
On the cold hill side.
I saw pale kings, and princes too,
Pale warriors, death-pale were they all;
Who cry'd--"La belle Dame sans merci
Hath thee in thrall!"
I saw their starv'd lips in the gloam
With horrid warning gaped wide,
And I awoke, and found me here
On the cold hill side.
And this is why I sojourn here
Alone and palely loitering,
Though the sedge is wither'd from the lake,
And no birds sing. | John | Keats |
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| Einführung in die Lyrik |
| Lyrik, (zu griechisch lyra: Leier), neben Epik und Dramatik eine der drei Hauptgattungen der Dichtung. Entscheidende Aspekte der Lyrik sind sprachlicher Rhythmus und - zumindest bis ins 20. Jahrhundert - strukturierendes Versmaß und Reim. Ein weiteres Gliederungsmerkmal ist die Strophe. Als lyrisches Ich wird jenes im Gedicht auftretende fiktive Subjekt bezeichnet, das als empfindender Erlebnisträger der in der 1. Person Singular geschriebenen Lyrik fungiert. |
| ... weiter. |
| 17.07.2001; Robert Morten |
| 13 ausgewählte Einträge: | | 1 | | 13 | | | |
| | Nachname | Vorname | Titel | erste Zeile | | Keats | John | Stanzas ... | In a drear-nighted december ... |
| Keats | John | Ode on a Grecian Urn | Thou still unravish'd bride of quietness ... |
| Keats | John | When I have fears ... | When I have fears that I may cease to be ... |
| Keats | John | La belle Dame sans merci | Ah, what can ail thee, wretched wight ... |
| Shelley | Percy Bysshe | O wild West Wind | O wild West Wind, thou breath of Autumn's being ... |
| Shelley | Percy Bysshe | The Indian Serenade | I arise from dreams of thee ... |
| Shelley | Percy Bysshe | Alastor: Or, the Spirit of Solitude | Earth, Ocean, Air, belovèd brotherhood! |
| Shelley | Percy Bysshe | Feelings of a Republican on the Fall of Bonaparte | I hated thee, fallen tyrant! I did ... |
| Shelley | Percy Besshy | To Wordsworth | Poet of Nature, thou hast wept to know ... |
| Shelley | Percy Bysshe | Lift not the painted veil which those who live | Lift not the painted veil which those who live ... |
| Shelley | Percy Bysshe | England in 1819 | An old, mad, blind, despis'd, and dying king ... |
| Shelley | Percy Bysshe | Time | Unfathomable Sea! whose waves are years ...
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